- Newfoundland, Canada
- I've been a big anime fan for about 10 years or so now. My five all-time favorite animes at this point are, in no particular order... Puella Magi Madoka Magica, El Hazard: The Magnificent World, Love Live!: School Idol Project, The Melancholy of Haruhi Suzumiya, and Magical Girl Lyrical Nanoha. However, there are hundreds of anime shows that I like. The main purpose of this blog is to provide meta-commentary on anime, and the anime industry - to try to cast a critical, though appreciating, eye upon this entertainment genre that I believe has tremendous potential, but can also be easily wasted. I have always been a fan of animation in general - in the 80s, I grew up on western cartoons like He-Man, She-Ra, Transformers, and G.I. Joe. Through out the 90s, I was a hardcore comic book fan, for the most part. I'm also a big fan of Star Trek. Right now in my life, though, anime is my principal entertainment passion.
Monday, April 6, 2015
There is nothing that more masterfully mirrors the decline of KyoAni than the image above. The franchise that tremendously torpedoed KyoAni into the stratosphere of anime fandom love has, perhaps fittingly, disappeared into a completely different world, perhaps leaving a sense of melancholy in the ranks of KyoAni animators. Nagato Yuki now makes me think of Saki Miyanaga with glasses and purple hair-dye, while Haruhi makes me think of Kancolle's Kongou in a student uniform.
After a long absence, the world of Haruhi finally finds its way back into the world of anime, but it's no longer in the world of KyoAni. To be fair, KyoAni still retains a place of prominence in the anime world. However, it's no longer like a mighty colossus looming lusciously large, as it bestrides the anime landscape, leaving all others in its shadows.
In fact, the anime landscape is now effectively leaderless. Which is something I find vaguely interesting given how long KyoAni was dominant for, and how SHAFT once seemed on the verge of claiming KyoAni's crown.
In this blog entry, I will explore the current landscape of the anime world, as I ask the question "can anybody rise to the heights once enjoyed by KyoAni?" Don't worry, I intend to get back to my Love Live! series reviews soon. First, though, I take a trip down memory lane, before steadfastly swerving swiftly, like Miyamori Aoi driving a car, to more current affairs.
Wednesday, April 1, 2015
|Somewhere, Captain Ginyu cries a tear of joy...|
This part is "Season 1, First Half" and it will cover the first 6 episodes of Love Live! Season 1. I used a similar "break up" review approach with Angel Beats!, Sola, and True Tears in the past. So hopefully this will work with LL! as well. But there will be one key difference...
Sunday, March 22, 2015
In our modern internet era, Willy Wonka is known best as a masterful meme maestro at smoothly sarcastic satire directed at hypocritical positions and questionable claims. I'm sure most, if not all, of this blog's readers know exactly what I'm talking about there.
But decades before the inventions of Al Gore enabled this very blog to become reality, Willy Wonka sang about a world of pure imagination, and beckoned us into it with his charismatic mannerisms and his delightful candies and chocolates. Ah, but Charlie's Chocolate Factory was much like Charlotte's witch's barrier - Filled with delicious goodies, but also fantastical horrors that could harm children. Willy Wonka brought five such children into such a world, where all but one of them was victimized, albeit arguably by their own poor judgement. Remind you of a certain magical girl familiar? You could even consider Willy Wonka to be a proto-Kyubey!
This is one of the more fascinatingly fearsome forms of magic - The form of a double-edged sword that can slice miracles out of cold materialistic steel, but also slice chunks of flesh out of those who don't wield the sword with picture-perfect precision.